Wherein Sir Terry Bollea (AKA Hulk Hogan) encounters a melon-thumping granny, ripe for the picking. Bet you can tell she’s a granny from those squares she wears, huh? Huh? This seems like a typical case of Hollywood ageism mixed with some severe craft stereotyping… real crochet-cism in action! I mean, when will these pesky movie PA’s realize that crochet is ageless — and more importantly — that an afghan does NOT a shawl make?
If only everyone could just be as creative with their costumes.
Happy Samhain, everyone!
Some stills from the 1957 Alfred Hitchcock Presents episode “The Glass Eye” starring Miss Daisy herself, Jessica Tandy.
Barty + Shatner + Tandy x Ventriloquism + Crochet ÷ Hitchcock = Happiness
Watch the episode here:
[hulu http://www.hulu.com/watch/48281 width=600]
Socialite Patricia Hearst is most famously known for being kidnapped by the radical guerilla group The Symbionese Liberation Army in the mid 1970s, held captive for several months against her will, and brainwashed into becoming a tool for their violently militant, left-wing cause.
After myriad misadventures, crime sprees and rabble-rousing, Hearst was captured and imprisoned for over a year in a California correctional facility, during which time she was evaluated, analyzed and “deprogrammed.” During her time served, she suffered from malnutrition, a collapsed lung and much public ridicule and resentment.
But through all her ordeals, Patti kept herself sane. How, you ask?
The power of crochet.
I grew up reading Beverly Cleary’s Ramona books pretty religiously, so when PBS released a television show version of the stories in 1988 starring a young Sarah Polley, I was super excited and watched every episode.
But little did I know that over 20 years later, I would be re-examining the show and caring more about her stuffed animals than the actual story line.In this scene, little Ramona clutches her crocheted elephant tightly with her stained blue hands. Wouldn’t you?
We all know what happened to Sarah Polley, but what about that elephant? Where is it now? The set designer’s basement? An Ontario film studio prop room? Sarah Polley’s memento shelf?
Inquiring minds need to know.
This week’s entry in the Movie Still Monday category “Famous Afghans” is the 1998 Dualstar straight-to-video feature, Billboard Dad, starring Mary-Kate and Ashley Olsen.
If you’re ever wondering, does Shove actually WATCH these movies? The answer is YES.
All by myself, too.
Such as: “Dad, how was this afghan constructed? In strips? Back and forth? What the hell kind of yarn is this? Why did the set dresser feel this monstrosity was necessary to complete the scene? WHY, DAD, WHY?!!”